Jeffery Broadhurst designs a prefab, steel-framed weekend home on the Chesapeake Bay.
Our judges praised the composition, materials, and the porch of this suburban infill project by Robert M. Gurney.
A pin-oak allee, planted in 1994 by the farm's owners, is the gateway to this house designed by Mark McInturff.
This project succeeds by using an elegant mix of materials that both define and weave together the new floor plan of a notable 1960s home.
Our judges were impressed by how this house by David Jameson, FAIA, pays homage to classical modernism.
In a rural enclave experiencing an influx of vaguely traditionalist suburban-style development, this new riverfront home strikes a blow for a more informed and local historicism.
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Architect Greg Weidemann based the floor plan of this modern, brick-and-mahogany-clad residence on the specific conditions of the site.
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Sited on a steep, wooded slope overlooking the Potomac River, this new house combines familiar and exotic materials, straightforward and novel geometries, plain good planning, and a few bold strokes in a building that invites—and rewards—close inspection.
Suburban planned developments seldom offer prime custom home sites.
Great clients don't guarantee great architecture, but they certainly smooth the path.
Building a Modernist house in a long-established traditional neighborhood is not the surest way to endear oneself to the neighbors.
One judge's metaphor describes the compatibility of this Maryland house with its waterfront site.
The watery world that surrounds Annapolis, Md., has a tradition of rustic vacation-cottage architecture.
The jury commended architect David Jameson's ability to fuse the traditional style of the neighborhood with his clients' wishes for a more modern aesthetic.
Anyone who has built in a historic district knows how tough it can be to get even a conservative design approved.